Hans Zimmer「Piano Cover」Day One From Movie Interstellar

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???? Music Composer: Hans Zimmer
Hans Florian Zimmer is a German film score composer and record producer. His works are notable for integrating electronic music sounds with traditional orchestral arrangements. Since the 1980s, Zimmer has composed music for over 150 films. His works include The Lion King (for which he won the Academy Award for Best Original Score in 1995), Crimson Tide, Gladiator, the Pirates of the Caribbean series, The Dark Knight Trilogy, Inception, Interstellar, Dunkirk, and Blade Runner 2049. He has received four Grammy Awards, three Classical BRIT Awards, two Golden Globes, and an Academy Award. He was also named on the list of Top 100 Living Geniuses, published by The Daily Telegraph.

Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks studios and works with other composers through the company that he founded, Remote Control Productions, formerly known as Media Ventures. His studio in Santa Monica, California has an extensive range of computer equipment and keyboards, allowing demo versions of film scores to be created quickly. Zimmer has collaborated on multiple projects with directors including Ridley Scott, Ron Howard, Gore Verbinski, Michael Bay, Guy Ritchie and Christopher Nolan.

???? Piano Cover: Day One
“Day One” begins with a softer piano arrangement of the main theme, later the strings start soaring, the organ returns; and this leads into the score’s most sublime piece, “Stay”. It’s Zimmer’s brand of minimalism – maybe not in the strictest sense, but certainly in spirit – with a little melodic cluster being fed between winds, organ, a distant choir, later the brass section, sounds of nature accompanying it, the piece becoming more and more intense as it progresses to its stunning organ crescendo conclusion. Subtle it isn’t – subtlety is not a word one would associate with this composer – and nor is it complex. In fact it is from its very simplicity, its direct approach that its power comes – it is so obviously from the heart, so extraordinarily vivid and done with such grandeur and indeed gusto, it’s really quite breathtaking.

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